From Here to Eternity HD Movie Download

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From Here To Eternity Trivia

1. Montgomery Clift's dedication to his role as Prewitt in the film "From Here to Eternity" was extraordinary. Despite knowing that his bugle playing would be dubbed and his boxing scenes would be performed by a double, Clift immersed himself in the character. Director Fred Zinnemann acknowledged Clift's impact on the other actors, stating that Clift pushed them to deliver performances that were truly genuine.
2. One of the most iconic scenes in the film, featuring Burt Lancaster and Deborah Kerr in the rushing water on the beach, was not originally scripted to take place there. It was a last-minute idea from director Fred Zinnemann to capture the power of the waves hitting the actors. This spontaneous decision added an unforgettable visual element to the film.
3. During the filming of "From Here to Eternity," Montgomery Clift, Frank Sinatra, and author James Jones formed a close bond and often indulged in intense drinking sessions. Clift, in his sober moments, coached Sinatra on his portrayal of Maggio, for which Sinatra was immensely grateful. Their camaraderie both on and off set contributed to the chemistry between their characters in the film.
4. Frank Sinatra, however, had personal troubles of his own during the production. His turbulent marriage with Ava Gardner was falling apart, and he was deeply affected by it. Sinatra even confided in Montgomery Clift, revealing his thoughts of suicide. The emotional weight Sinatra carried during this time undoubtedly impacted his performance in the film.
5. In a scene where Burt Lancaster and Montgomery Clift play drunk while sitting on the street, Clift was actually intoxicated, while Lancaster remained sober. Clift's commitment to authenticity led him to consume alcohol to portray the drunkenness realistically, further demonstrating his dedication to his craft.
6. Contrary to an urban myth surrounding Frank Sinatra's casting in the film, the decision was not influenced by the Mafia. Instead, it was suggested by Sinatra's then-wife, Ava Gardner, who was working for the head of Columbia Pictures at the time. Sinatra's low professional standing made him an affordable choice for the role, and he even offered to do it for free. Ultimately, he was hired for a nominal fee of $8,000.
7. The famous passionate kiss between Burt Lancaster and Deborah Kerr on the beach was considered too erotic by the Motion Picture Association of America (MPAA). Consequently, photos of the scene were banned, and many prints of the film had shortened versions of the sequence due to projectionists keeping frames as souvenirs.
8. In response to the censors' concerns, Deborah Kerr's swimsuit was designed to include a skirt to mitigate any potential sexual provocativeness. This modification was made to adhere to the standards of the time and maintain the film's acceptability.
9. During the filming of "From Here to Eternity," Deborah Kerr and Burt Lancaster became romantically involved. Their on-screen chemistry translated into a real-life connection, adding an additional layer of authenticity to their characters' relationship.
10. Burt Lancaster initially felt intimidated acting alongside Montgomery Clift, and his nerves were evident as he physically shook during their first scene together. Lancaster's apprehension likely stemmed from Clift's reputation as a highly skilled and intense actor.
11. Harry Cohn, the head of Columbia Pictures, initially resisted the idea of casting Montgomery Clift as Prewitt, expressing doubts about his suitability for the role due to his lack of military experience and boxing skills. However, director Fred Zinnemann insisted on Clift's involvement, emphasizing his belief in the actor's talent and commitment.
12. The title phrase "From Here to Eternity" originates from Rudyard Kipling's 1892 poem "Gentlemen-Rankers," which tells the story of British soldiers who have "lost their way" and are "damned from here to eternity." This powerful phrase aptly captures the enduring themes of the film and the characters' struggles.
13. Ernest Borgnine, who always boasted to his friends that he would have a role if a film adaptation of James Jones's novel was made, found himself auditioning for the part of Fatso Judson shortly after expressing his desire. His audition proved successful, and he secured the role, fulfilling his earlier prediction.
14. Interestingly, the scene in which Maggio meets Prewitt and Lorene in the bar after walking off guard duty was actually Frank Sinatra's screen test for the role. To impress director Fred Zinnemann, Sinatra improvised with olives as dice, simulating a game of craps. The entire ad-libbed sequence was kept as is and became a part of the final film, showcasing Sinatra's improvisational skills.